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According to Ain-i-Akbari, a 16th-century detailed document written during the reign of Akbar, Haji Begum supervised the construction of the tomb after returning from Mecca and undertaking the Hajj pilgrimage.According to Abd al-Qadir Bada'uni, one of the few contemporary historians to mention its construction, the architect of the tomb was the Persian architect, Mirak Mirza Ghiyas (also referred to as Mirak Ghiyathuddin) who was brought from Herat (northwest Afghanistan), and had previously designed several buildings in Herat, Bukhara (now Uzbekistan), and others elsewhere in India.
The restoration has been a continuous process ever since, with subsequent phases addressing various aspects and monuments of the complex.This fault was corrected in early 20th century, when on Viceroy, Lord Curzon's orders the original garden were restored in a major restoration project between 1903–1909, which also included lining the plaster channels with sandstone; a 1915 planting scheme, added emphasis to the central and diagonal axis by lining it with trees, though some trees were also planted on the platform originally reserved for tents.The 1882, the Official curator of ancient monument in India, published his first report, which mentioned that the main garden was let out to various cultivators, amongst them till late were the royal descendants, who grew cabbage and tobacco in it.It was also the first structure to use red sandstone at such a scale.Besides the main tomb enclosure of Humayun, several smaller monuments dot the pathway leading up to it, from the main entrance in the West, including one that even pre-dates the main tomb itself, by twenty years; it is the tomb complex of Isa Khan Niyazi, an Afghan noble in Sher Shah Suri's court of the Suri dynasty, who fought against the Mughals, constructed in 1547 CE.Ghiyas, to whom the mausoleum's exquisite design is attributed was chosen to be the architect by Empress Bega Begum.
An English merchant, William Finch, who visited the tomb in 1611, describes the rich interior furnishing of the central chamber (in comparison to the sparse look today).
Eventually, to avoid vandalism, the cenotaphs within the mausoleum were encased in brick.
In the coming years, the Archaeological Survey of India (ASI), took on responsibility for the preservation of heritage monuments in India, and gradually the building and its gardens were restored.
He mentioned the presence of rich carpets, and a shamiana, a small tent above the cenotaph, which was covered with a pure white sheet and with copies of the Quran in front along with his sword, turban and shoes.
The fortunes of the once famous Charbagh (Four-square) gardens, which spread over 13 hectares surrounding the monument, changed repeatedly over the years after its construction.
However, the capture of the last Mughal emperor, Bahadur Shah Zafar during the Indian Rebellion of 1857 together with the premises, and his subsequent sentencing to exile, along with execution of his three sons, meant that the monument’s worst days lay ahead, as the British took over Delhi completely.