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Not everything over there is fully functional yet, and the internal links still point to this blog, and will for the indefinite future.So all the old material will be left here for archival purposes, with comments turned off.

This volume includes interviews that appear in English for the first time, including some that appeared in Hong Kong magazines now out of print.

By grappling with novels, recipes, travelogues, pop culture, and his own upbringing, Naben Ruthnum depicts how the distinctive taste of curry has often become maladroit shorthand for brown identity.”examines the relationship between war, politics, police power, and the changing contours of race and racism in the contemporary United States. Washington probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry.

She looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media.

In this timely essay, Law also looks at the new face of homophobia in Australia, and the long battle for equality and acceptance.

Investigating bullying of the vulnerable young, he brings to light hidden worlds, in an essay notable for its humane clarity.”“Curry is a dish that doesn’t quite exist, but, as this wildly funny and sharp essay points out, a dish that doesn’t properly exist can have infinite, equally authentic variations. history, these crucial essays show how the return of racism and war as seemingly permanent features of American public and political life is at the heart of our present crisis and collective disorientation.”“Myra S.

Her subjects range from shaving her knuckles in grade school, to a shopping trip gone horribly awry, to dealing with internet trolls, to feeling out of place at an Indian wedding (as an Indian woman), to parsing the trajectory of fears and anxieties that pressed upon her immigrant parents and bled down a generation.

”“With intolerance and inequality increasingly normalised by the day, it’s more important than ever for women to share their experiences.

We must hold the truth to account in the midst of sensationalism and international political turmoil.

Nasty Women is a collection of essays, interviews and accounts on what it is to be a woman in the 21st century.

Yamamurahis edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to China, Japan, India, and Korea.

The collection launches into political representations of Asian identity in science fiction’s imagination, from fear of the Yellow Peril and its racist stereotypes to techno-Orientalism and the remains of a postcolonial heritage.”“On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood.” The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work.

“In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money?

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