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It’s as though she anticipated that she would need to reassert her place in the present. In Nashville, where she launched her career in the early ’90s, Twain has come to be embraced as an elder and an archetype.
With the imminent release of her new album ‘NOW’ and three decades into her storied career, Shania Twain has never sounded better.
The Tale of Humble Beginnings Twain arrived on the country scene as a hard-luck heroine with a backstory that inspired empathy and admiration.
She described her childhood in rural Ontario as one of violence, deprivation, and tragedy, throughout which she’d helped bring in a little money for the household by singing in nightclubs and resorts.
Containing the singles ‘Swingin’ With My Eyes Closed’ and the joyful lead track and radio mainstay ‘Life’s About to Get Good’, ‘NOW’ is the first time Shania has assumed the role of sole songwriter and co-producer. Attention: Bare in mind that it is forbidden to bring a bag with you to this show.
Only handbags that aren’t bigger than the size of an A4-paper (8.27 x 11.69 inches) and no thicker than 10 cm (3.9 inches) are allowed inside.
After her parents died in a car accident, she took responsibility for her younger siblings, delaying her pursuit of a Nashville country career until they were old enough to be on their own.
Just about every journalist on earth recognized how compelling that narrative was and led with it.
Years later, Twain was still being asked to explain what made her expose her navel on camera.
In one mini-doc, she talked about being influenced by Madonna and Janet Jackson videos. The Big, Bold Personality Equally influential was the personality that Twain projected in her performances.
“I mean, they always wore midriffs,” she pointed out. Country music had already had its share of feisty female vantage points, but she delivered an assertive, fun-loving, distinctly contemporary angle on femininity that felt in step with a moment when young women were savvily pushing against the boundaries of propriety.
In some of her most memorable hits, she demanded romance that let her feel comfortable in her skin, reveled in her sensual power, cleverly dressed down male egos, and went after what she wanted with unapologetic forwardness.
In previous decades, acts like Kenny Rogers had helped lay groundwork with the soft-rock spectacle of their live shows, and Twain’s contemporary Garth Brooks was bent on amplifying his twang to bombastic arena-rock scale.