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These narrative arcs captured not just viewers’ attention (at the height of its run, the series was the most-watched show in its time slot among its target demographic), but also landed Lauren Conrad, Kristin Cavallari, Spencer Pratt and Heidi Montag — better known as Speidi — and other cast members on the covers of tabloids. You got us talking back then, and we’re still talking now.
“In the pilot, we had the Kelly Clarkson song where she’s going through a million doors. note: “Breakaway.”] But we couldn’t get it cleared, so we were scrambling around looking for a replacement.
[If] stuff happens off camera, or stuff happens on the weekends, or when we weren’t shooting, we would go back and get it on camera. ”Part of the mastery of — something that was even mocked by James Franco and Mila Kunis in a Funny or Die sketch — was that the producers managed to get so much out of people who sometimes said so little.
So, if Audrina heard that Justin Bobby was off doing something that she ain’t happy with, we’d have her sit down and tell Lauren about it, just so that we have it on camera. Were they actually going out to meals and simply staring at one another? How did the producers craft these long stares into meaningful, impactful drama that sustained the show’s forward momentum?
We very carefully craft it to see the spark of attraction.
Looking at looks — blinks and stuff — and then add music to make it work. That was the part where each episode we would finish editing, and we thought, 'Oh, we made a little movie there Sometimes we didn’t have the dialogue; we didn’t have them saying what the story is, and [the challenge became] how are we going to show it?
It’s not easy to do, because an interview is a great tool if you want to tell a story quickly and efficiently and to play the highlights of a scene.
Without those interviews, you need all of the conversation.
One, it makes it really steady, and you can hold a shot close up on someone’s face, and really notice the smaller expressions.
Two, if the cameras are far away, then the cast feels that they have some privacy, and they can pretty much forget about the camera because it’s all the way across the restaurant.
“It’s nice to hear that people still care about it after all these years, [and] that someone is doing a story about the 10th anniversary of the first episode airing.
It seems like such an odd milestone,” Di Vello said when we started our conversation.
We focus-grouped it, and people were really confused.