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As of 1998, most academic studies on slash fiction focused on Kirk/Spock, as Star Trek was by that point one of the longest-lived and most popular subjects of slash fiction, while its mainstream popularity made it one of the most accessible titles for academics and their audience, As the first slash pairing, K/S was created and developed largely independently from the influence of other slash fiction, with most of the conventions of the slash genre seeing their debut first in K/S slash.
Kirk and Spock from Star Trek, is a pairing popular in slash fiction, possibly the first slash pairing, according to Henry Jenkins, an early slash fiction scholar.
Other common plot element include the plak tow "blood fever"; the fact that Kirk, because of his empathic bond with Spock, can sense when Spock is about to go into pon farr, which even causes him to suffer some of its symptoms himself; and "lingering death", the fate of a Vulcan male in pon farr who is unable to claim a mate.
Another plot element is the Hurt/Comfort theme; one character is hurt and the other comforts him.
Shore Leave also contained a back massage scene where Kirk believes that he is being massaged by Spock.
The first known Kirk/Spock fan fiction story was "A Fragment Out Of Time" by Diane Marchant, published in the fanzine Grup #3 (September 1974).
Such "relationship" stories (K&S) were distinct from homoerotic ones (K/S), but both often removed Kirk and Spock from the Enterprise to avoid science fiction "distractions" like the starship and the Federation. We're arguing over whether or not two fictitious characters are getting their hands in each others' pants.' When asked about whether there was intentional homoerotic content between K/S in the show, and in particular in the episode "Amok Time", Star Trek's writer D. Fontana replied, "In answer to your question, NO — there were no homosexual double-entendres in the script — at least none that were deliberate.
In an interview, after revealing that he had cast Shatner as Kirk partly on the basis of his performance as Alexander, Roddenberry talked about fans seeing a possible parallel between Alexander and Hephaistion and Kirk/Spock: Marshak and Culbreath: There's a great deal of writing in the Star Trek movement now which compares the relationship between Alexander and Hephaistion to the relationship between Kirk and Spock -- focusing on the closeness of the friendship, the feeling that they would die for one another -- Roddenberry: Yes, there's certainly some of that, certainly with love overtones. If some viewers chose to read that into the dialogue, etc., that's their point of view, but certainly not ours.I have absolutely no interest in it, it doesn’t interest me, I understand how it interests other people, I respect their desire to be interested in it but I think both Kirk and Spock, and definitely me and Chris, are only good friends.Any suggestion otherwise has more to say about the person making that suggestion than it does about the character's lives.Writer Theodore Sturgeon was trying to reveal Spock's inner human in a struggle with what his culture, his upbringing and his half-human/half-Vulcan heritage had instilled in him about emotion and controlling it in an out-of-control situation.It also was a peek into the Vulcan culture that no one had seen before. I've heard this nonsense (especially about Kirk/Spock) for years. I hope this answer is helpful to you" Placing Kirk/Spock in the Star Trek setting can be beneficial and limiting for K/S authors.It consisted of a sex scene but was written to not identify its participants nor make both of their sexes clear; Marchant stated in the next issue, however, that they were Kirk and Spock.